I'm browsing my favorite artists on Last.fm, which has a feature that tries to match up similar artists based on what people listen to. Most of the time, it's pretty accurate, but when it's not, it's not in ways that strike my funny bone.
Over a year ago, I mentioned in one of my blog posts that my friend Mark introduced me to a young guitarist named Orianthi. She quickly became a favorite, but never so much as this past month, in response to the release of her second album. Her first album was released in her native Australia, whereupon she was quickly noticed by producers in Los Angeles who brought her here to work on another one. And it's just fantastic. Entertainment Weekly gave it a B, which they admitted was based on “cautious” expectation of good things to come. Personally, I think it was too cautious, and they should have given this one an A. This woman is amazing, and is poised to become a superstar just as soon as enough people discover her.
Well, so … I've been listening to her two albums so much in the last month that I've become a “top listener” on Last.fm. Every so often, I'm near the very very top, but then I drop off a little when someone else bumps me off that spot, but then I listen some more and come back near the top again, and so it goes.
Well, so … today I'm off work, just sitting around the house listening to music, and so, motivated by idle curiosity, I went to go find out of what other artists Last.fm believes I'm a top listener.
Time for a bit of a detour. I'll come back to this in a minute.
As you know, I've been a Star Trek fan since I was old enough to know what it was. Literally, since the second grade. I remember well watching Amok Time as a small child, and since it was my first episode, I really didn't understand what I was watching. But I kept with it, and it grew on me, and now here I am decades later still very much a fan of that show.
In the late 1980's, when word came through the grapevine that Gene Roddenberry was bringing Star Trek back to television, I could not have been more thrilled … which is why the disappointment I felt during the first year of Star Trek: The Next Generation was so bitter. That first season
I didn't find that reasoning compelling. After all, Star Trek's original series had its very best episodes in its first year, and had found solid footing pretty much immediately. But, well, this was where Star Trek was headed, I realized, so I really ought to keep watching. Yes, it felt like an obligation, rather than something I wanted to do because I was enjoying it. Gotta keep up with these things when you're a fan. Who knows, I thought, maybe it really will improve. And it did, a little, but not by enough to excite me. I gave it a chance, it didn't do it for me, and to this day, I have very little interest in anything that called itself Star Trek from The Next Generation on (except that I did enjoy this year's Star Trek movie … although I'm not exactly rushing to the store to add it to my collection now that it's available on DVD and Blu-ray Disc).
Except for a small handful of good episodes, I found The Next Generation boring and predictable, and I was about ready to turn away from it for good in about its third year – when I began correspondence with a fan from Germany. He and I were both members of Mensa's Star Trek Special Interest Group back in those days. He told me that the show was delayed there by two years for legal reasons, which meant that as I was watching the third season, Germany was watching the first; the next year, they'd get the second season as I was watching the fourth, and so on. Naturally, he wanted to see them right away, and meanwhile, I was anxious to see the original series translated into German, so he and I struck a deal: I videotaped Next Generation episodes for him, and he sent me German-language recordings of original series episodes.
(The detour takes another detour: Why German, you ask? I guess I haven't mentioned this in my blog before now, but in the mid 1980's I was a Mormon missionary in southern (what was at the time West) Germany. I also studied German for six years in junior high and high school. Put all of that together, and I speak German pretty fluently, although not nearly as well these days as I once did. Once, when I was a missionary, a family invited us into their home, and the Star Trek episode By Any Other Name was playing. In German. Sadly, I only got to watch it for about a minute, since missionaries aren't supposed to be watching television in people's homes. Okay, enough of that side detour; now back to the main part of the original detour.)
That worked well for a few years, until he ran out of original series episodes to copy for me. So instead, he sent me recordings of some German electronic-techno-dance-style music that uses Star Trek's familiar theme as its basis. In his opinion, he told me, that music was good but not great, but it was kind of all he had to offer me. I think he wasn't giving it nearly enough credit; I loved it, and still do. In fact, I went out of my way to find, on eBay, original CDs of the music he had sent me as audiotaped copies.
One of these is a four-track CD called Das Raumschiff Tanzt! (translation: “The Starship Dances!”), by a group called Space Track. That one's probably my favorite of all of the German techno Star Trek music I own – and yes, I do own several of them. There's a track on there called Schweine im Weltraum (translation: “Pigs in Space”) which is great fun, in oh so many ways, and it makes me laugh.
Well, so … it turns out that I'm a Space Track “top listener” on Last.fm. I guess that's not too surprising. How many people even know about this group, after all? Plus, the music is nearly two decades old, so who's even still listening to it after all these years? Me, obvously. Not a lot of others, I'd imagine. Still, even if I'm listening to it a few times, I'm a “top listener”.
But what really strikes me funny is this:
Last.fm is really trying hard to find artists similar to Space Track. In the case of better-known artists, that's pretty easy. John Williams is similar to Jerry Goldsmith. Candy Dulfer is similar to Maceo Parker. Mozart is similar to Haydn. And so on. Last.fm is able to infer those similarities based on who listens to what.
In the case of Space Track, though, they're completely flummoxed. That's because they only really have me and a small handful of other listeners to draw samples from. And because my musical tastes are so eclectic, they're inferring that Space Track is similar to music that just … isn't … remotely … close, including: a couple of re-recordings of Star Trek original series episode scores (which, I admit, does make a certain kind of sense, except that those are orchestral performances, whereas Das Raumshiff Tanzt! is completely computer-techno-beat-dance stuff), as well as the soundtracks to Cole Porter's Kiss Me, Kate (I listen to recordings of both the original stage production and the subsequent 1953 movie); Saint-Saëns's Organ Symphony performed under the direction of Herbert von Karajan; a Seattle world music group called The Guarneri Underground (whose Wander This World CD is marvelous and highly recommended, especially their cover of Led Zeppelin's song Kashmir); my copies of Bach's Brandenburg Concertos and a collection of Bach organ music (I know they're using my copies of those discs, because they're listing the same performers of those pieces as the ones I listen to); and several others.
Yes, I will happily admit it: Last.fm's desperate grasp for artists similar to Space Track is resulting in a wide range of unrelated music, and it's all my fault!
There is at least one artist which Last.fm lists as similar to Space Track – which is also my fault, I admit – which does fall into at least something of a similar category.
Long story short: a few years ago, Vera brought home a stack of CD's she had gotten from the library, which had been donated but which the library didn't want to keep. Most of them were forgettable, except for one self-titled CD by a group called Lost At Last, with which I fell in love instantly. It's a very cool blending of Indian religious chant and instruments with electronic techno beats, produced back in 2001. Subsequently, they renamed themselves One At Last and released another album called Are You Dreaming? in 2006 which I like just as much.
One At Last has nothing whatsoever to do with Star Trek, but at least it's more or less in the same ballpark with the German techno dance music that is Das Raumschiff Tanzt!, so I'll give Last.fm that one … even if it is more of a lucky guess than anything else, just because, although my musical tastes are eclectic, now and again there is some commonality to it.
Occasionally, anyway.